
The Fairyfolk of the Fells
Since moving to the North East 3 years ago, I have been
fascinated by the rich history of the area and the folklore that
goes with it. There are several tales I’ve read of the spritely,
mischievous Fairyfolk of the Fells, who protect the moors and
ensure that the locals don’t take themselves too seriously. I
wanted to capture some of their energy in this piece,
combining a folky melody with some more crunchy, dissonant
harmonies.
Hartlepool Dance No.5
The idea for this piece came when I was playing Brahms’
Hungarian Dance No. 5. I took inspiration from this amazing
piece but wanted to make it my own. Hartlepool Dance No. 5
is an uplifting comedy take on Brahms’ Hungarian Dance,
simplified to Grade 1 standard. Double stops are one of my
favourite flourishes on the viola (as well as harmonics, triple
stops etc!) so I wanted to use them to make a strong ending to
this piece. I hope you enjoy playing it as much as I enjoyed
writing it! Hugo Ward (age 11, Grade 5 viola).
“Trimcomalee - A Sea Shanty”
Trincomalee is an original composition for viola and piano. I
was inspired to write this Sea Shanty by a visit to the HMS
Trincomalee, the historic Navy frigate now preserved in
Hartlepool. The piece draws on the rhythmic drive of a
traditional Sea Shanty, evoking the North East's deep
connection with the sea and a
“Trimcomalee - A Sea Shanty”
Trincomalee is an original composition for viola and piano. I
was inspired to write this Sea Shanty by a visit to the HMS
Trincomalee, the historic Navy frigate now preserved in
Hartlepool. The piece draws on the rhythmic drive of a
traditional Sea Shanty, evoking the North East's deep
connection with the sea and also taps into a recent resurgence
in popularity of the Sea Shanty, made famous on YouTube by
viral songs such as The Wellerman! I am originally from
South Tyneside and raised in Northumberland. I now perform
and teach violin and viola across the North East and this piece
reflects my connection to the area as well as my desire toinspire and engage young viola players with accessible and
culturally relevant music.
Town Moor Walking
It’s a Sunday afternoon and you are taking a relaxed walk
across Newcastle’s Town Moor - you have nothing else to do
today. The breeze is blowing gently through your hair and you
see the branches on the trees sway playfully. You take a deep
breath before scaling Cow Hill - it is not Everest but you can
still feel your body wo
Town Moor Walking
It’s a Sunday afternoon and you are taking a relaxed walk
across Newcastle’s Town Moor - you have nothing else to do
today. The breeze is blowing gently through your hair and you
see the branches on the trees sway playfully. You take a deep
breath before scaling Cow Hill - it is not Everest but you can
still feel your body working. When you reach the top you can
see the whole Town Moor and the sprawling city of Newcastle
in all directions.
Little March after Haydn
le March after Haydn (short)
This short march is in the style of Joseph Haydn and I have
tried to capture some of his sense of humour. It is in D major,
but it asks the violist to play C naturals and G sharps,
suggesting that the tonality is mobile, but in quite a subtle
way. While it is a march, there is an opportunit
Little March after Haydn
le March after Haydn (short)
This short march is in the style of Joseph Haydn and I have
tried to capture some of his sense of humour. It is in D major,
but it asks the violist to play C naturals and G sharps,
suggesting that the tonality is mobile, but in quite a subtle
way. While it is a march, there is an opportunity to flex the
tempo slightly at the end of the middle section. It is a quiet
and understated piece, but with a swell in dynamics in the
middle. The music ends quietly with some fun pizzicato.
Calling Composers and Educators of the West Midlands region!
We are looking for newly composed, fun and inspiring pieces for viola to suit students at the very start of their journey on this fabulous instrument!
See Submission Requirements and you can submit your composition here!
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Thank you for submitting your compositions into the Birmingham Composition Competition.
All entries will be reviewed by the TAIVC team with a view to publishing our very own collection of graded pieces for viola. Selected pieces will be showcased at our Viola Day at the Royal Birmingham Conservatoire on 30 November 2025, and later will be presented to ABRSM for perusal, as we discuss the merits of producing graded exam pieces books for viola.
ABRSM Viola Syllabus (pdf)
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